Mousse / 89

Mousse 89

Editorial

Survey

SHU LEA CHEANG

(A) Art of the Interzone

McKenzie Wark

(B) We Ate a Sheep. We Lost the Plot.

Shu Lea Cheang, Lauren Cornell, and Tiffany Sia

Opinion

YOU MADE ME DO THIS

Martin Herbert

Monograph

ADELITA HUSNI BEY

Things Don’t Fall Apart Because They Are Laboriously Kept Together

Ana Teixeira Pinto 

Monograph

KARIMAH ASHADU

Cannot Resist Seeing

Ikechúkwú Onyewuenyi 

 

Thinkers

BYUNG-CHUL HAN: VITA CONTEMPLATIVA

Steven Knepper 

Curators

GLINTS OF LIGHT ON BROKEN GLASS

Anthony Huberman 

Curators

NOTES TO SELF

Sohrab Mohebbi 

Criticism

IN THE WEEDS: POLICY PROBLEMS

jina valentine

Mira Dayal 

Reprint

“LIGHTS , CAMERA, NOW-TIME! POLLY II: PLAN FOR A REVOLUTION IN DOCKLANDS”: MARINA VISHMIDT ON A NEW FILM BY ANJA KIRSCHNER* (*BLAISE KIRSCHNER)

Marina Vishmidt

Danny Hayward, Kerstin Stakemeier 

 

TIDBITS

Beatrice Bonino by Liberty Adrien

Charisse Pearlina Weston by Pujan Karambeigi 

Kobby Adi by Stephanie Bailey 

Gregory J. Markopoulos by Matthew Lyons 

Wei Yang by Alex Bennett 

 

Books

Louis Fratino 

Visual

ALIA FARID

Elsewhere, 2013–ongoing

Alia Farid, Kaelen Wilson-Goldie

 

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Mousse is a contemporary art magazine, made of interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of feature columns. Mousse is peculiarly printed as a newspaper and bound as a magazine. Mousse keeps tabs on international trends in contemporary culture around the world.